Wednesday, March 24, 2010

37. Nature The Artist

Sypnosis - The curator of a museum loves a piece of rock she believes was carved into present artistic magnificence by a famous artist. When the truth is revealed, that the rock is merely a rock unshaped by man, she is flabbergasted and worse, needs to decide if it belongs in her museum alongside other 'real' works of art?

I've always thought of art as something that evokes a response. Applause or criticism, a response no less. In that vein, almost everything around qualifies as art. But there's a trick to it. Not everything qualifies. Plastic packets of food at a supermarket may look ordinary but if one stood far away and caught the big picture, one would a riot of rectangular shaped colours. To me that's interesting, and worthy of a photograph. I'm the train as I write this so let's take a localized example - a hand grab. On its own it might be a boring piece of plastic but when a line of them with different hands grasping for support at various angles, all of a sudden the visual becomes interesting. The lowly hand grab describes the human need for external strength and support in this wavering, unsteady modern existence. Art is everywhere. It all depends on how we want to look at it.

The author has brought across some examples of how the definition of a work of art has transcended brush and canvas to more ordinary, in fact, everyday objects. From Mona Lisa to Duchamp's urinal. From traditional, and sometimes a protrayal of fantasy, to modern and sometimes very real. Abstract pieces have gone for millions at auctions. Art schools teach all manner of art these days and traditional brush and palette techniques are a mere smidgen of what's taught. So it would quite impossible to put a rigid definition of what by its nature is meant to develop with creative expression.

If we are open to what art could be, then perhaps the boundaries are also not important. If the curator's museum had a specific role to display works from specific artists, then the rock would have no place there. If the curator was cool with nature's creations on display (especially one which did not require tending or cleaning up after) then the rock would be a perfect, accidental overstayer.

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